Ukraine is a Woman
0 observationssorry for my absence, between touring and writing and editing, my attention has been pulled like taffy.
I hope you are all well. I am continuing to tour, and will continue to tour.
be safe, be well, and I'll fill you in on my schedule later this week.
On tour last week, I read at the Monongalia Arts Center (MAC), for the first time publicly, the crown of sonnets from QUINTESSENCE known as "The Sonnets of Grace":
The Sonnets of Grace: I
The Sonnets of Grace: II
The Sonnets of Grace: III
The Sonnets of Grace: IIII
The Sonnets of Grace: V
The Sonnets of Grace: VI
The Sonnets of Grace: VII
The Sonnets of Grace: VIII
The Sonnets of Grace: VIIII
The Sonnets of Grace: X
The Sonnets of Grace: XI
The Sonnets of Grace: XII
The Sonnets of Grace: XIII
The Sonnets of Grace: XIIII
The Sonnets of Grace: Diadem
William F. DeVault. all rights reserved.
playing the hard Abelard in the game of hearts
I.
I fold, cold, cards rough to my fingers.
the bitter and brittle fear rising like vomit
in my throat, coating me in a mist of mysteries.
histories echoing with every doubt, case out.
road kill in the still morning air, food for fortune.
instinct blinking out with final thready heartbeats.
II.
at a distance puppets dance mad and sad,
our taint restrains tensions tested to wrest
incidental assumptions now made mad
as they burrow deeper to at length best
well-wrought defense, made of memories won
in games of chance with cards cut from our flesh
to bear barter for hearts in grimmest fun
mocking our marks, wagers we can refresh
from the seeming endless Tantalus purses
we hide, inside, to bide time for the tell
presumed in eyes that lie out of curses
ancient as an holy scripture, God’s spell
cast in castrations of divinity
as we take hemlock from necessity.
III.
the shadows dance because the fire does
and so do we
and our chaotic nature does not permit us
vision of all elements at once
so we play the dunce
understanding that control is an illusion
IIII.
the lion holds his wrath
because, somehow, he feels
that it is not the antelope’s fault
that it was born without claws
or jaws enough to make a worthy prey
V.
the Apollonian balance blanches at the excesses
of demons chained and near starved in old stone.
encrypted like the black words they spit
in a tongue I alone know the Rosetta stone.
hard and near permanent, illuminated
scripture to a mad God’s religion, sacrifices
proving only desperation and not worthiness.
I spit blood then split atoms, then start again,
the formula for the ritual not yet perfected.
VI.
the invitation is given.
no one accepts.
the temple is emptied
and the cycle begins again.
the religion is in the teachings.
but a God without worshippers
will slowly fade to legend.
then, into nothingness.
VII.
upon fresh stones and the attar of roses
I contemplate my cithara
then seek a new pluck of the strings
to bring perhaps a new magic
a summoning of something new
something
something less uncertain
still, in my stubbornness
refusing to surrender to doubt
in the eventual outcome
the elegance of sacrifice
the beauty of love
in a world of fragile, shattered prayers
William F. DeVault. all rights reserved.
Thetis had a Daughter
Labels: 2020, mythology, romance, Thetis 0 observations(to a poet of my acquaintance)
So clever and tender Thetis had a daughter
hidden behind a man's name...
as pure and sorrowful as her mother,
smothering her sadness
beneath her studies with Erato.
Obscurant to those who see only with eyes or,
in the case of Polyphemus, eye,
yet can see the truth and sings her songs
of gossamer beauty with vigor and eloquence
enough
to wake a slumbering Amomancer
to take up his song and, having seen her
and discovered her true nature,
lady of sorrows, borrowing the bard's cards
to shelter her from the colding winds,
lifts his aged voice to thunder her praise.
The tapestries begin anew their weavings,
mysteries in the histories yet unveiled.
William F. DeVault. all rights reserved.
in the movement of light
Labels: 2018 0 observationsSeptember 28, 2018
The Amomancer Tweets!
Explaining the Tags
These largely fall into 4 categories:
Year of writing, e.g. "1999"
Book published in, e.g. "from an unexpected quarter"
Inspiring muse, e.g. "Aubergine"
Genre, e.g. "erotica"
We are still in the process of cleaning up the tags, so please bear with us. Yes, some muses are classified under more than one tag, some poems appear in more than one book, or not yet in any volume, and some years are...hazy.